As per usual, Row B suffers from your view being spoilt if people in front lean over; I found myself envying the people sat in the central section in Row A as they paid the same price as me but are great seats. 'Phantom' was special. I had no idea such incredible music could be ruined so easily. Very good leg room. Delivering a range of family entertainment, pantomimes and musicals, it is one of the most prolific venues in the city. CA, USA. If you ring for tickets and talk to the theatre direct and see the seating plan you could be ok. The heavy romance keeps seats filled and the thudding mock grandeur of the score seems to reassure audiences of the quality. Yes- the show had an amazing and powerful setbut if you can't see itwhat's the point? Dedication for the Red Gambit Series This series of books is dedicated to my grandfather, the boss-fellah, Jack 'Chalky' White, Chief Petty Officer [Engine Room] RN, my de facto father until his untimely death from cancer in 1983 and who, along with many millions of others, participated in the epic of history that we know as World War Two . Twitter: https://twitter.com/TheOperaGhosts. However it doesn't excuse the lack of effort. In my opinion, "Phantom" was the last major musical not to be simply a product of technology. Purchased tickets for here for a show in July. ___________________, I went to see this a few weeks ago with a very open mind as I normally prefer something light and breezy and didn't think I was going to enjoy it-but I did!! These are probably the most uncomfortable stalls we have ever been in but the view is excellent and the small theatre itself (looking from the stalls) is lovely, very sweet and intimate but desperately need new updated seats!! Not sure who I saw as the Phantom but he too was good, as was the actor who played Raoul. VDOMDHTMLtml> Her Majesty's Theatre - London VIP Box & Suites Find wonderful Her Majesty's Theatre - London VIP Box & Suites for your next event. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. The actor who played the Phantom could not be faulted. My girlfriend and I went to see 'Phantom of the Opera' last night (6th January 2009). Support A View From My Seat by using the links below to purchase tickets from our trusted partners. ___________________________________. We all thoroughly enjoyed the show andwhen the crowds had dispersed the staff bought out our wheelchair and had a good old natter with nanny asking herwhat she thought of the performance. Phantom of The Opera London: Fabulous - See 6,989 traveler reviews, 822 candid photos, and great deals for London, UK, at Tripadvisor. I think this understudy made no difference in my enjoyment of the production. I'm thinking much of the audience were foreign tourists dutifully making their way round the London tourist trail. Great vocalists and the staging was very smart. ___________________. Series Dedication The Red Gambit series of books is dedicated to my grandfather, the boss-fellah, Jack 'Chalky' White, Chief Petty Officer [Engine Room] RN, my de facto father until his untimely death from cancer in 1983, and a man who, along with many millions of others, participated in the epic of history that we know as World War Two . The rest of the cast were completely fine, notably Sofia Escobar who was excellent as Christine. My favourite song being 'Prima Donna,' I cannot understand how not since Rosemary Ashe in the original cast have I ever seen or heard anyone better. Anna Forbes as Meg seemed to change the way she played Meg the last time I saw her with Sofia. They are mainly surly or uninterested and as for policing the use of phones or disruptive patrons - well, they may as well not be there (can you tell I am not tolerant of people with no theatre etiquette!!). Buy your tickets with confidence here. Went to the stage door. I actually started off really liking his performance. But I had no need to worry at all! and the sound design needs perking up and mixing LOUDER! Theatremonkey show opinion. JOJ has total anguish in everything he sings and performs and Ben just didn't, sigh. ______________________________. It is too messy at times, and the noise created by the set and crew moving it into position is hideous!! Or am I missing something? _________________________________________. '*** Phantom of the Opera, 07Jul2016, Whichseats.com is not affiliated to show producers or theatre owners. On a separate note the phantom's magic throne didn't work at the end so he didn't vanish and the ending was a bit strange with just Meg staring at the audience as the lights go down. I would like to make a comment on the front of house staff at Her Majesty's Theatre: they were all so pleasant, courteous and friendly and also very on the ball about monitoring bad behaviour and use of phones. In my opinion, he is well worthy of it. Visited 25th February 2014: evening performance. Book your tickets online for Her Majesty's Theatre, Melbourne: See 526 reviews, articles, and 132 photos of Her Majesty's Theatre, ranked No.27 on Tripadvisor among 781 attractions in Melbourne. PUBLIC TRANSPORT Katy Hall as Christine was magnificent, her voice was excellent and she acted well in addition to singing well. ________________________________________, I went last weekend (November 2014) with the wife. You lost the very front left corner if you sat right back, that was all. The cast and costumes, the music was superb. we laughed out loud because that summed up perfectly our experience at Her Majestys Theatre. I'm 5 foot 10 and my knees were several inches away from the start of the orchestra wall so that certainly wasn't an issue. Thoroughly enjoyed it. In the trio with Phantom and Christine, Raoul's voice did not project, and his interjections were lost The show is fresh again and it's definitely worth the ticket price. Your view is blocked for a few seconds during the masquerade scene so you miss the entrance of the Phantom and I had forgotten about SPOILER the actor who pops up during the show from the orchestra pit who blocks your view SPOILER ENDS - but again being so close adds to the experience. While he had a great presence about him on stage, I didn't feel he fit the part, and as a trained tenor myself, I thought he should have been able to resonate his lower register better. The spectacular staging always dazzles, and the score throbs emotion throughout. All very friendly, approachable and cheerful. It was rather sad to see a show I love being massacred. And you see everything! One word of advise to first timers though, make sure you're sat in the first seven rows of the stalls or the first three of the dress circle. The view of the stage is mainly good, however the corner of the stage (Down-Stage Right in the correct theatre terms) cannot be seen from these seats, and anywhere in this part of the circle, so everyone leans forward and that just makes it harder for you to see. This was a relatively new cast and I think they needed a bit more bedding in as, although they were good, I had seen better Phantom casts (and worse, to be fair). Alf Rachel is by far the best singer I have ever seen in the part, not sounding in pain or like she was struggling. __________________, My 7 year old daughter and I recently went to see the show (February 9th 2006) and it was just brilliant. The leg room however was ridiculous, and I couldn't have my legs directly in front of me. Traditionally, these were concentrated in the stalls, as close to the stage as possible. The kids loved it and want to see it again for their next birthday, but personally Phantom had lost some of it's magic. That said, it did take some time for me to get to "know" the central characters - so to speak - but we were in the Upper Circle and I think you always get wrapped-up in things a lot quicker when sat down in the Stalls. Worst of all - missed the final part of the lair when, for all Id have know, Phantom could have just sauntered off stage!! It's no longer a big universe with lots of little characters, it's a small universe with a few big characters. Lo and behold, shortly after this, the people whose seats they had taken arrived which meant they had to move and the whole debacle started again with the whole row standing up. Even the upstairs balconies are charming in their own way, if you dont mind leaning over the railings. However I decided I would give him the benefit of the doubt. To add insult to injury, the couple sitting in front of me decided to lean forward and put their heads close together so by that point I'd had enough and I asked them to sit back as otherwise I would have missed the chandelier rising up. And very cramped, would advise booking aisle seats if possible. They were asked by the staff to stop leaning forward onto the front of the Dress Circle though, but they still obscured a lot of my view. _________________, I tried to keep an open mind. We had stall seats from D7 through to D16 as there was 10 of us. Not being a fan of Lloyd Webber works, I must confess a soft spot for Phantom. Do not believe the hype, this show may be in its 21st year, but that is surely musical retirement age. She loved the whole thing, but was a little bit worried that the chandelier might fall on our heads! We were in E 10, 11 and 12 in the stalls and they were very good. The Booker Prize-winning novel-now a major motion picture from Fox SearchlightPictures. ______________________________. We were generally happy with the seats - but they should be clearly identified as "Restricted," as my aisle seat (and much more so the seat next to me), often had a blocked view of the performance, especially when the action was Stage Right. Talk about rejecting people because they dont appear normal! The illusions in the show are great and they get better as the show goes on. Make the most of the situation and dont sweat the small stuff! Final comment, absolutely brilliant show, would thoroughly recommend it, want to go again, and again, and again. I could see every feature of the phantom's deformity, saw all the fine detail, and felt that the singers were singing just for me, they tended to stand just in front of these seats to sing the big pieces. We use cookies to ensure that we give you the best experience on our website. How to score cheap theatre tickets in Melbourne. The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling. This obscured some of the action, but in the second half it wasn't there. Monday to Saturday at 7.30pm Needless to say, in the end an ineffably wet aristocrat gets the girl and the deformed freak vanishes. That great height brings us to the worst seats. I booked stalls seats H19 and H20 with a degree of trepidation given Adams seat review and that I'm 6' tall and 15 stone. If youre sitting in the first few rows of the stalls seats, you may even be able to touch the stage and see performers blink. I had an absolutely brilliant view here. Slightly perplexed, I informed her of the conversation had the day previously with a See box office member of staff, she hinted that this keeps happening and See continually give out wrong information, and that I should make a formal complaint to them about what had happened. I would call them up so they can tell you what the viewing problem is. The view of the stage was excellent, as was the view of the top of the theatre, we had a great sight of The Phantom during his performance in 'The Gods'. _______________________. I couldn't have been more wrong, from the very beginning I was hooked and when the chandelier swings into the audience with the spine chilling music the hairs stood up on the back of my neck. ___________________, I am a huge, huge Phantom fan and firmly believe that the show is the best in the West End but after seeing it last night (29th April 2005) I was hideously disappointed. Seats throughout the Grand Circle are generally cheaper than other tiers. And would someone please get rid of the dummies used to make the stage look busier than it actually is!! Karen. Needless to say when we see this production again Mr. Owen-Jones has a lot of convincing to do. Now you're talking! The Phantom is such an amazing character, and is portrayed so well. I do admit that the first 2 scenes I hadn't a clue what was going on, but after the Phantom makes his first appearance it makes sense. I would agree with the reviews, the seats are central and give a clear view of all areas of the stage. Also, being the main theatre in Aberdeen all the shows are usually here so you don't have much choice. First time we were in Premium Stalls 3 rows from the front. The plot was pretty lame, all the excitement was gone for me by the end of the first half. I can't compare the current cast with any other but they didn't strike me as anything special. It's certainly not a musical that I'd rush out and buy the OCR straight after but more perhaps pluck a handful of the best ones from i-tunes (or alternatively just nab my mother's 'Andrew Lloyd Webber Collections'!). Front Row Seats. I suppose for me this was a last minute choice, and I was interested to see what the experience was like from the front row - but was worth it to hear the orchestra so close up and see it from a different perspective and for 57 certainly feel like I got my moneys worth and didn't feel ripped off. It was a privilege to see such a brilliant understudy and, whilst my wife and I will return for the matinee on 18th January hoping to see John Owen Jones, if Brian McCann happens to be playing again we know that we will not be disappointed. Kristina P. Dont recommend this seat at all. But it's easily manageable, and the compensation is that it's a good and comfortable distance from the actors. I loved the costumes and sets, the dramatic music and the lavishness of it all. ", TheGreatHumbug: Katie's vocal range is out of this world and I feel so lucky to have seen both Katie and Sofia and could not choose who played it better! Was interesting watching other people not knowing where the Phantom was speaking from - but if you knew where to look you had no issues seeing him. Don't get me wrong there was nothing BUT good I could say about the performance, however I just wanted to point out the problem that I encountered with Stalls G2 and that it may be useful for you to know. > . I do see the Monkeys point about overblown emotion: too overblown and you cease to care quite as much as you should about the characters Al [email protected]. Back row, lots of leg room. They were schlepping their oversized M&Ms World bags through the aisles, munching snacks, cheerfully commenting their favourite scenes, and exactly during the most dramatic final moments someones phone went off I dont want to sound elitist, but when I pay a lot of money for a Musical the only sound I hear should be from stage, and not the excited yelps of some middle-aged superfan in the row behind me. Having seen Scott before I was a little disappointed, as I hadn't been impressed with him on that occasion. USE "BACK" BUTTON TO RETURN. (Having watched the 25th anniversary DVD multiple times, I like to think I know every nuance and they just didn't have it yesterday). Her Majestys theatre is beautifully acoustic, and most of the stalls and dress circle benefit from almost no amplified sound, which is a rarity. How to get here Her Majesty's Theatre is located at 58 Grote Street, Adelaide, which is on the north side of the street. Ive only ever heard him in Avenue Q, which is a very different beast We sat in the Grand Circle D17 and D18 which is right in the middle. Bromley The leg room was very good, but the back of the seat wasn't very forgiving, it seemed a bit too straight. Whichseats.com can't be held responsible for complaints arising from the use of this website. A word about the staff - I would have thought that faced with the monotony of dealing with the same tourist crowd with the same familiar music they would lose a bit on the service front, not a bit of it. I never have a problem with legroom in the dress circle; I find the D/C my preferred place to sit in the theatre to the stalls. ____________________________. Willenhall. Gee Colin. It was quite incredible, and at the same time pathetic, to see the Phantom assiduously wringing every possible drop of emotion out of, well, pretty much every line he was given. While its largely true of all the big venues, its especially true of the Princess: those back rows of the grand circle (the top level) are ludicrously high, and watching a show from them feels like peering at an ant colony from a helicopter. St. James's, ____________________________, I was disappointed when I found out the main actor would not be playing the phantom. ___________________________, Having read very mixed reviews of the front row seats at Her Majesty's Theatre I was a bit nervous about going to see 'The Phantom of the Opera 'for the 5th time and this time in row B seat 6. ________________________________________, September 2015. The lavish sets and spectrum of colours explode onto the stage, especially at the start of the second act, and capture your attention and your heart. Much of the "romance" is over-the-top and dramatic, but as I don't often watch shows of this nature it didn't really give me cause to be critical as I expected this when I entered the theatre. 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